Physical journey against for queer visibility in South Africa

AFROVIBES SATURDAY / 12+

Language No Problem

By:
Tandile Mbatsha

Age:
12+

Genre:
Theater, Dance theater, Dance

1 uur Different locations

IN SHORT: In I AM, Tandile Mbatsha (x) reflects on their rural South African childhood and search for identity and belonging. Through personal scenes involving their parents, themes like legacy, exclusion, and queerness take center stage. The performance is a powerful protest against transphobia and homophobia in Africa.

In this powerful theater- en dance performance, Tandile Mbatsha (x) takes us back to their childhood. As a child in rural South Africa, they had to search for their identity and how to belong. Tandile Mbatsha stages both the theme of legacy and belonging by involving their biological father and mother in the performance. In one scene, the father shaves Mbatsha's head before they perform a slippery solo on an oil-soaked floor, while their mother reminds the father how their child grew up in an atmosphere of both homophobia and protection. This makes I AM a powerful statement against transphobia and homophobia in Africa, which are visible through current statements that queerness would be un-African. “The stories of queer people of colour have been erased. I AM is based on real events and thus a reconstruction of those stories,” Mbatsha said. “I AM is my attempt to remember myself through childhood memories.”

PROGRAM

19:00 - 19:05  spoken word by Sunni Lamin Barrow
19:05 - 19:45 interview with choreograaf en curator Jay Pather
19:45 - 19:50 spoken word by Sunni Lamin Barrow
30 min break 
20:15 - 21:30 I AM
21:30 - 21:45 aftertalk
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Credits

Concept and director:

Tandile Mbatsha

Performer :

Tandile Mbatsha

Video and technician:

Thomas Willows

Music:

Tavern Kween van Desire

Costume design:

Neo Serati van NaoSerati

About the makers

Tandile Mbatsha is een choreografisch activist en performancekunstenaar uit Kaapstad, Zuid-Afrika, die werkt aan het doorbreken van hegemonische noties van bestaan, met name binnen de LGBTIQ+-gemeenschap. Ze gebruiken performancekunst om kritisch bewustzijn te creëren en identificeren zich als een gender-non-conforme persoon in een "mannelijk" lichaam. 

 

About the makers

Tandile Mbatsha is a performance artist, choreographic-activist, educator, speaker, host, producer, model and scholar based in Cape Town, South Africa. They have performed at PERFORMA17 Biennale in New York and featured in Zoe Modiga's set at Afropunk. Performed an art installation with Viviers Studio at the Investec Cape Town Art Fair and opened for FAKA at the Cape Town Electronic Music Festival. Produced the Solo Ball, a film, on the virtual National Arts Festival curated programme and recently hosted and managed the event for Tshisimani Centre for Activist Education’s Pocket Queerpedia launch. They have also worked with internationally acclaimed artist Zanele Muholi.

Tandile premiered their work ‘Intyatyambo Iyaphuma Engxondorheni’ at Gavin Krastin’s Arcade, an annual nomadic platform. They seek to break hegemonic notions of existence through the use of performance art to bring about critical awareness of the LGBTIQ+ community. They identify as a gender non-conforming body living in an intersectional “male” body and are a masters candidate at the Centre for Theatre, Dance and Performance Studies through the Institute for Creative Arts.

Sunni Lamin Barrow (b. 1998) is a pluridisciplinary artist and performing curator from The Gambia, based in the Netherlands. His multi-award winning practice engages deeply into identity, belonging, and the endurance of the human spirit, particularly through the reference of African queer migratory experiences.

Blending poetry, performance, and curation, Sunni explores themes of love, loneliness, grief, queerness, Blackness, global citizenship, and reimagined kinship. His spellbinding works have been staged at renowned venues including the Van Gogh Museum, Huis Marseille, Kunsthal Museum, Oerol Festival, het National Theater and the Netherlands Theater Festival amongst many.

In 2023, Sunni premiered A Fist of Tongues, a critically acclaimed spoken word theater piece that confronts trauma and survival through a dialogue between his many selves. The production was nominated for the National BNG Bank Theater Prize and made a national tour in the Netherlands for two years.

Sunni is a Master’s student at DAS Theater, where he is pioneering the research and development of Spoken Word Theater as a distinct genre, inculcating the raw emotionality of spoken word poetry with the structure of contemporary sounds, rituals and performances. His work continues to bridge personal narratives with universal resonance, sculpturing a lifelong artistic legacy.

Jay Pather is a choreographer, curator and academic. Based in Cape Town, he is a Professor and directs the Institute for Creative Arts at UCT, curates Infecting the City Public Art Festival and the ICA Live Art Festival. He also curates for Afrovibes in the Netherlands and for the Bienalle of Body, Image Movement in Madrid is curatorial adviser for Live Art for Season Africa 2020 in various cities in France. He has co-curated for Spielart in Munich and has been Adjunct Curator for Performance at the Zeitz MOCAA. Recent addresses include for Festival of the Future City (UK), Independent Curators International (New York) and at the Haus der Kunst (Munich). He has recently published a book, Transgressions, Live Art in South Africa with Catherine Boulle, Recent articles appear in Changing Metropolis ll, Rogue Urbanism, Performing Cities and Where Strangers Meet. He chaired the jury for the recent International Award for Public Art, was appointed Fellow at the University of London and was recently made Chevalier des Arts et des Lettres (Knight of Arts and Letters) by the French Government.

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